Showing posts with label performing arts. Show all posts
Showing posts with label performing arts. Show all posts

Reviving 'Lohengrin' for the Liceu: Katharina Wagner Shares Its Deep Significance

Being named Wagner can be simultaneously a boon and a burden, acknowledges the great-granddaughter of the renowned German composer.

Katharina Wagner states that she has learned to cope with both the advantages and disadvantages inherited from her renowned ancestor.

A distinguished artistic director in her own merit, Wagner is set to showcase 'Lohengrin'. Barcelona’s Teatre Liceu from 17 -30 March.

This operatic love story revolves around its titular protagonist and draws inspiration from an old German medieval tale. A enigmatic rider appears via a vessel steered by a swan to aid Elsa von Brabant, a high-born lady facing adversity. They wed, yet he imposes a ban on questioning his past; eventually, she breaks this vow out of curiosity, causing him to depart forevermore.

This piece is most recognized for its prelude—the famous Bridal Chorus—that frequently accompanies wedding ceremonies, along with the Grail Story. Lohengrin serves as the central figure; however, Elsa exhibits a robust personality as well.

Wagner's production in Barcelona will include an unexpected turn in the narrative, however, Euronews Culture has been bound to confidentiality...

The opera made its debut in 1850; however, Wagner couldn’t be present at the premiere because he was in exile following his involvement in the May Rebellion of Dresden, which was among the final wave of revolts sweeping through various parts of Europe in 1848.

In 1861, the composer witnessed a complete performance of his work. More than 150 years later, his great-granddaughter still feels that the opera preserves much of its initial allure. "This piece holds deep significance for numerous individuals," says Katharina when speaking with Euronews Culture from her workspace within the Teatre Liceu. She adds poetically, "One could view it like a fairy tale where the protagonist simply emerges. Yet, we see him appearing for a particular purpose."

He states, 'Don’t inquire about my identity, and don’t question my origins.' This is peculiar, wouldn't you say? The work also revolves around themes of trust; however, it’s quite odd that such questions should be off-limits. Who exactly is this individual? From what place did he originate? What schemes might he have in mind?

The artistic director holds numerous favorites from her great-grandfather’s extensive repertoire of works: "My preferences vary depending on how I feel personally. I particularly love 'Tristan and Isolde' as well as 'Parsifal.' Both pieces boast magnificent composition and splendid melodies," she remarks.

Opera enthusiasts will recognize Wagner's renowned works, yet numerous individuals might also recall the composer’s pieces from movies like Apocalypse Now , featuring the renowned Ride of the Valkyriers.

Katharina mentions that she often hears people say Wagner is known for composing lengthy operas. She expresses her wish that more individuals would make an effort to watch an opera as they offer a unique experience.

The individual, who is 46 years old, serves as the artistic director for the Bayreuth Festival, an annual event dedicated to showcasing the works of her great-grandfather. Additionally, she resides in the German town of Bayreuth, where much focus is placed on honoring the legacy of this composer.

The upcoming year will signify the 150th anniversary of the festival, promising an extraordinary celebration. This will also be the inaugural performance of 'Rienzi' at Bayreuth. Additionally, Christian Thielemann conducting 'The Ring Cycle' will be one of the major highlights.

The festivities will commence with Beethoven’s 9th Symphony. Regarding the Wagner surname, Katharina comments that it is a mixed blessing: "The issue is, when you come from that family, you have no choice over it. Certainly, at times it can be advantageous, but at others, it can be detrimental." Indeed, the Wagner name has faced backlash due to the composer’s documented antisemitism and his notorious supporter, Adolf Hitler.

In 2009, Katharina mentioned that there was a duty to address their family’s ties to the Nazis. She announced that her own personal archive as well as those belonging to certain relatives would be accessible for examination. However, private records from other branches of the family remain inaccessible to the general public.

In 1850, Wagner authored an essay titled "Judaism in Music," which was viewed as having antisemitic undertones. Adolf Hitler endorsed the Bayreuth Festival and became friends with Winifred Wagner, who was born in Britain and married to Wagner's son, Siegfried. Their relationship enabled the festival to maintain considerable autonomy throughout the Nazi era. Following World War II, Winifred Wagner faced charges for her association with the Nazis.

"Richard Wagner penned appalling essays about Jewish individuals. Naturally, I don’t endorse those opinions," states Katharina, unafraid to address her family’s troubling history: "No, I’m not hesitant when it comes to facing the past; it holds significant importance for me. Absolutely, I have no weariness regarding this matter. Not at all. Moreover, I am aware that some members of my family share this sentiment," she explains.

When it comes to music, Katharina genuinely enjoys staging operas: "It’s essential to love what you do professionally. And I certainly do. To be frank, the aspect of my job that excites me the most as a director happens during those initial meetings where we discuss our vision with just a few people," she shares with a grin.

At the conclusion of the day, all the small details and components come together, allowing us to build the stage collectively. Following that, we add the direction, vocalists, lighting, and attire. It’s quite an amazing experience. In my opinion, performing collaboratively on stage offers some of the most rewarding instances in this profession.

'Lohengrin' by Richard Wagner at the Gran Teatre Liceu in Barcelona from March 17 to March 30.

Enrique Iglesias is coming to Abu Dhabi

He can be your hero baby…

There are some unmissable music events happening in the UAE this year. Millennials assemble. Enrique Iglesias has been announced to perform in the Etihad Arena in Abu Dhabi this year. The pop icon shot to fame in the 90s for tracks like Hero, I Like It and Tonight I’m Lovin’ You. His incredible career spans over two decades and he’s one of the biggest Latin recording artists in music history.

He has sold over 180 million albums worldwide, famous for his hits in bothe English and Spanish released 11 studio albums and 3 greatest hits compilations, and headlined 10 sold-out world tours, performing to more than 10 million fans.

Enrique Iglesias is coming to Etihad Arena in Abu Dhabi for one night only on Saturday, November 1.

Tickets aren’t on sale yet, however you can register for pre-sale here. They’ll go on sale on Tuesday, March 25 at 9am.

There are lots of gigs, concerts and shows on in Abu Dhabi in 2025 so there’s something for everyone. If you like comedy, there are some of the world’s biggest comedians coming such as Kevin Hart, Trevor Noah, Michael McIntyre and more.

However if you want something in the near future, here are the events coming up in Abu Dhabi in April.

Images: Archive

女優・當真あみ 中学卒業からの3年間を振り返る「懐かしい気持ち、顔は結構違うって思います」

ドラマ『最高の教師 1年後、私は生徒に■された』や、『さよならマエストロ~父と私のアパッシオナート~』などの話題作に出演し、2025年4月に公開される映画『おいしくて泣くとき』では、ヒロインを演じている當真あみ。高校を卒業するタイミングで、彼女にとって初となる写真集『Ami』(小学館)が、3月4日に発売された。中学3年生卒業前からの約3年間を詰め込んだ、當真の足跡をたどれる1冊だ。

今回のインタビューでは、写真集の振り返りや撮影エピソードのほか、役者業一本となる今後への意気込みなどを聞いた。

◾️中学卒業から高校卒業までの3年が詰まった写真集

――写真集はすでに発売されていますが、ご家族やお友達からどんな反響が届いていますか?

當真あみ(以下、當真):家族からは、昔を懐かしむような感想をもらいました。「中3の頃はたしかにこんな感じだったよね。懐かしい」と、写真を撮り始めたばかりの頃のことを話してくれましたね。友達は、「本屋さんで見つけて、買ったよ!」というメッセージをわざわざ送ってくれました。「表紙の写真、いいね」とか、お気に入りの写真を教えてくれたのもうれしかったです。あと、卒業旅行で行った台湾の写真を見て、「いいなー!」と言っている友達もいましたね(笑)。

――當真さんご自身は、この写真集を見てどんなことを感じますか?

當真:私もやっぱり、懐かしさが込み上げてきます。あるあるだと思うんですけど、自分の顔の変化にはあまり気付けないものじゃないですか。毎日鏡で見ているから。だけど、こんなふうに3年前の写真を見ると「あ、結構違う」って思います。で、そのぶん成長できているのかな? と思ったりしますね。

――顔が大人びたなと感じたりすると。

當真:はい、そうですね。ちょっとですけど。

――では、一番思い出深い撮影はありますか?

當真:それこそ、台湾の撮影は楽しかったです。初めての海外だったので、ずっとワクワクていました。町並みも看板の文字も日本にはまったくない風景で、「こんなに違うんだ!」と思って。写真集のための撮影時間もありましたけど、私も私でいろんな風景の写真を撮っていました。

――とくに、どこがよかったですか?

當真:夜市です。たくさんの屋台と人で賑わっていて、夜なのにすごく明るくて。見て回るだけでもすごく楽しかったです。あと、屋台でこしょうがきいたおまんじゅうみたいな食べ物なんですけど、中にお肉とかがたくさん入っていて、すごくおいしかったんですね。いい思い出になりました。

◾️お芝居の幅をどんどん広げていきたい

――そんな写真集が発売され、高校を卒業し一区切りつきました。これからは役者業一本になるかと思いますが、楽しみと不安、どちらが大きいですか?

當真:楽しみのほうが大きい気がします。今までは高校生だったこともあって、演じる役柄といえば大体学生で。役とリンクする部分が多かったんですけど、卒業して学生以外の役が増えてくるとそうはいかなくなるじゃないですか。

――リアルなところで言えば、新入社員やフリーターといった役柄も増えるでしょうね。とすると、高校生と比べてリンクする部分が少なくなりそう。

當真:そこに関してはもちろん不安もありますけど、そのぶん挑戦できる機会が増えるでしょうし、役の幅が広がるなと思っていて。それがすごく楽しみなんです。

――ここまで実直に役者業と向き合ってきたから、今後のことも前向きに捉えられるのでしょうね。4年間役者をやってきて、どんなことが身についたと感じていますか?

當真:それはもういろいろありますけど……一番変わったのはセリフですかね。はじめたばかりの頃はセリフを覚えることで精一杯だったんですけど、今は相手の方と“会話をすること”に注力できるようになりました。

――できなかったことができるようになっていって、この仕事を楽しんでいそうですね。

當真:はい、楽しいです。今のところ、壁に阻まれるようなこともなくお芝居を楽しめています。この先、壁にあたってしまうこともあるかもしれませんが、そのときはこれまで学んできたこと活かして乗り越えていきたいですね。それに、何でも話せる友達がいるので、悩んだときはその子に相談しようかなと。これまでそんなに思い詰めることがなかったから重い相談をしたことはなかったんですけど、その子ならきっと受け止めてくれるはずです。あとはやっぱり、お母さんに相談する気がしますね。

――では、當真さんが役者をするうえで大切にしていることを教えてください。

當真:楽しむことです。「楽しい!」という気持ちって、お芝居に出るものだと思うので。この作品を楽しむために今の自分は何ができるのか、何をしたら良いのかと考えながらやっていますね。そうして新しい役や作品に挑戦して、引き出しを増やして、お芝居の幅をどんどん広げていきたいです。例えば、まだアクションに挑戦したことがないので、いずれやってみたいですね。

――また、お仕事以外でやってみたいことはありますか?

當真:旅行したいです。国内外問わず、いろんな場所に行ってみたいなと今考えています。で、その地域のお祭りを見てみたいんですよ。

――お祭りがお好きなんですか?

當真:その地域の伝統みたいなものに触れたいんですよね。あとは、自然がたくさんある場所にも行ってみたいなと思っています。そういう経験も、きっとお芝居に返ってくると思いますし。

(取材・文=松本まゆげ、撮影=はぎひさこ)

Manu Rishi Chadha Leads Interactive 'Actor Prepares' Session at Anupam's Institute

Mumbai (Maharashtra), India, March 15 (ANI): The acclaimed author and performer Manu Rishi Chadha Recently conducted a dedicated session for students. Actor Prepares , an eminent acting academy established by a seasoned actor Anupam Kher .

The workshop offered budding performers essential knowledge about the craft of acting.

During his conversation with ANI, Chadha compared his experience to that of a mentor and shared the pleasure he derived from engaging with the younger performers.

"He felt as though he were a teacher again. He was extremely pleased because he consistently received positive vibes from the youthful pupils, which reminded him of the times when he had numerous inquiries," he stated.

“I may have intended to deliver a masterclass, yet I ended up merging entirely with them. Actors usually arrive well-prepared; however, occasionally instructors can be overly prepared, making things less enjoyable. Thus, I chose to join as an actor instead of a teacher, and this led to a genuinely exquisite mutual comprehension,” he mentioned.

earlier in the day, Kher's institution, ' Actor Prepares shared snippets from the session on their Instagram page.

Take a look

https://www.instagram.com/reel/DHOHPM5IIPA/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Famous for his performances in "Oye Lucky! Lucky Oye!", "Ankhon Dekhi", "Shubh Mangal Zyada Saavdhan", and "Mirzapur," Chadha discussed his insights from the industry along with the significance of acquiring skills and maintaining proper conduct on set.

Recently, Anupam's acting academy reached its 20th anniversary since being founded.

Based in Mumbai, ' Actor Prepares 'an acting institution founded by an actor' Anupam Kher In 2005, actresses and actors such as Deepika Padukone, Abhishek Bachchan, Hrithik Roshan, and Varun Dhawan were among the distinguished graduates from this institution, according to the ' Actor Prepares ' websaite. (ANI)

Provided by SyndiGate Media Inc. Syndigate.info ).

Public Art Removed for Safety Won't Return, Leaving Artists Disappointed

Perth’s art enthusiasts are questioning why cherished local sculptures have been put into long-term storage as the City of Perth invests resources in erecting a sculpture by an American artist instead.

A consulting professional in the arts has initiated a public movement urging the city to reinstate the sculpture known as Ore Obelisk, which was located in Stirling Gardens from 1971 until 2021.

The 15-metre-high Ore Obelisk, fondly nicknamed "the kebab" by numerous residents, was conceived by City of Perth city planner Paul Ritter and put up to mark Western Australia’s population hitting one million.

Showcasing various rock samples, this display represented the growth of mining activities within the state during the 1960s and 1970s.

The sculpture was taken apart and put into storage in 2021 due to "engineer assessments indicating it was unstable and could endanger public safety," according to a statement from a council representative.

Helen Curtis, who manages the public art consultancy Apparatus, is advocating for its restoration and return to exhibition, noting that it occupies a special spot in the hearts of many Western Australians.

"This is a crucial element of our cultural heritage. It forms part of our legacy as Western Australians," she stated on ABC Radio Perth.

These kinds of artworks bring us together as West Australians.

[embed audio]

Ms Curtis acknowledged that the artwork was now unsafe but urged the city to undertake restoration and reinterpretation of the piece so it could return.

She suggested that the city should have explored how to reimagine the artwork and view it from another perspective, all while maintaining its core significance.

However, it was cut into pieces, placed in a box, stored away, and then ignored.

The City of Perth has not disclosed the expense associated with restoring the obelisk; however, they have stated that substantial repairs are necessary.

A representative stated, "Engineers have informed us that due to the artwork's advanced age and present condition, it necessitates either complete replacement or extensive renovation."

This involves substituting all the components made up of conglomerate rocks.

Spaceman will take the place of kebab.

Ms Curtis expressed her frustration as the council allocated between $150,000 and $250,000 to erect a new statue at the location previously occupied by the Ore Obelisk. The newly installed artwork is a seven-meter-tall astronaut created by American artist Brendan Murphy.

Last year, the council approved the acceptance of Murphy's Boonji Spaceman as a donated item, with the responsibility falling on them for covering transportation and setup costs.

The Lord Mayor of Perth, Basil Zempilas, mentioned earlier that the sculpture was an ideal addition to the city because it mirrored the tale of how astronaut John Glenn christened Perth as "the city of light" back in 1962 when locals kept their lights on during his orbital flight.

"It’s a fantastic chance to introduce something that could become a major draw for tourists, aligning perfectly with the narrative of Perth, into our city,” Cr Zempilas mentioned last year.

Ms Curtis expressed her preference for using the funding to restore the Ore Obelisk instead, noting that variations of Boonji Spaceman can already be found in London, Oslo, Dubai, and Antigua.

She stated that it does not belong to Western Australia and has no relation to what is present here.

It feels like an affront to have that situated precisely where the Ore Obelisk once stood.

The residents of Perth deserve to have their history preserved and cherished.

The City of Perth mentioned that the placement of Boonji Spaceman in the Stirling Gardens was only temporary, and it will eventually be relocated to a more permanent spot, potentially at Elizabeth Quay, sometime in the future.

A second missing sculpture

The Ore Obelisk is not the sole public art installation in the city to vanish recently.

In February, artist Lorenna Grant addressed concerns when her black and white zigzag artwork at Northbridge Piazza, titled The Arch, was taken down for maintenance in 2023 and did not return to its original position.

Grant was tasked by the council to design The Arch at a cost of $99,000 to enhance the revitalization of the nearby Northbridge Piazza in 2009.

Grant mentioned that she first heard from the city in 2023 regarding worries about the structural integrity of The Arch.

"She stated, 'My reply was "alright, it has been around for 14 years, so maybe it’s about time we gave it some renovation."'”

However, when I visited the site accompanied by my fabricator, we observed and recorded that the artwork remained completely undamaged above the two-meter mark.

It showed no signs of rust, which means it might have been restored and rejuvenated instead of having everything discarded and gone for good.

Grant mentioned that the city requested her to submit proposals on how The Arch could either undergo restoration or be relocated to a different site, and she complied with this request.

She mentioned that someone from the City of Perth called her and simply stated that they lack the funds to proceed with the project.

Grant was similarly disheartened upon discovering that around the same period, the council had committed finances to the Boonji Spaceman project.

She pointed out a significant inconsistency between their authenticity and honesty versus the decision to seek talent beyond Perth instead of supporting local artists, our distinctiveness, and innovation.

Their selection is an art piece created in multiple copies. This intersection was designed with The Arch specifically in mind.

A representative from the city affirmed that The Arch was still in storage "owing to issues regarding public safety."

"The city has discussed possible repair solutions with the artist," stated the spokesperson.

Currently, there are no plans to bring back the artwork at the James Street site.

Senior Sensations: Inside Hong Kong Ballet's Exclusive New Program

The Hong Kong Ballet's workshops for beginner dancers who are 55 years old and above are helping seniors in Hong Kong fulfill their youthful aspirations as they dance with spirited hearts.

Everything began with a music box. In her childhood days, Mary Chan was captivated by a graceful ballerina figure perched on top of it, which pirouetted each time the mechanism was cranked.

"Admiring the small doll, I could spend entire days spinning that toy," recalls Chan, who in 2024 had the opportunity to realize a childhood aspiration — learning ballet for herself.

Chan, turning 80 this year, was one of many retirees along with other adults aged 55 and older who enrolled in the Hong Kong Ballet’s latest community engagement initiative called Silver Ballet. This program was introduced as part of their efforts. 45th anniversary last year The courses and three-day camps are tailored for individuals who typically aim to slow down rather than get warmed up, let alone stand on their tiptoes.

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Trainers demonstrate basic positions, movements, and routines at a slow tempo. The aim is not to produce spinning solo performers but to transform ballet into an enjoyable and beneficial activity. This approach helps enhance posture, flexibility, and balance for individuals of all ages who wish to dance.

“I genuinely love dancing and appreciate attending dance shows,” states Chan. “The idea of learning ballet never crossed my mind; thus, becoming a dancer seemed unattainable. When I was younger, things were quite distinct. Both my mother and father encouraged me to concentrate on academics. Even at friends’ parties, I needed to be accompanied by an elder sibling.”

Although Chan could be the eldest member of the Silver Ballet group, this softly spoken elder is perhaps the most exuberant among them. While she lacks the agility for toe dancing or the stamina to hold an arabesque position, she moves with the grace and suppleness of someone decades younger than herself.

She recalls, “As a child, I watched a film featuring the renowned British ballerina Margot Fonteyn. Later, during the 1970s, I had the opportunity to see performances by Russian ballet companies. Their gracefulness and smooth, flowing motions captivated me.”

I began exploring various dance styles after turning 60," shares this dedicated homebody. "I became involved with numerous community organizations and events providing lessons, focusing particularly on Chinese folk and traditional dances. The opportunity to delve into ballet truly thrilled me.

Similar to many contemporary creative and business approaches, the concept for Silver Ballet emerged during the COVID-19 pandemic. During this period, Wu Zhong, the artistic director of the Hong Kong Ballet, Septime Webre He motivated his team to explore innovative ideas, aiming to introduce ballet to the public despite people being unable to attend live shows.

During quarantine, Webre and his team performed small group and duo shows on a hotel balcony, with the isolated spectators viewing from their respective rooms. Additionally, they produced videos for a fresh YouTube channel HKBallet@home features talks, performances, and tutorials created specifically for children, as well as intermediate adult learners. Additionally, there is a five-part series showcasing basic dance moves suitable for seniors to perform from their homes.

Heidi Lee Oi-yee, the executive director of Hong Kong Ballet, states, 'Theaters are not the sole means through which we fulfill our mission.' The pandemic pushed them to broaden their audience base and highlight their skills. With quarantine measures beginning in January 2020, they had established their online platform by March.'

Following the success of the videos aimed at seniors, the local charity Po Leung Kuk invited the ballet company to organize post-Covid performances at community centers for seniors. Encouraged by the enthusiastic feedback, Lee, along with Vency Kwok, who serves as the senior education and community outreach manager, decided to expand this initiative further.

“We organized workshop camps for children, followed by teenagers and adults,” states Kwok. “It seemed only logical to consider, ‘ What about those who are older than Generation X? '"

I didn't feel fully awake until I reached 60 years old.
Mimie Lau Siu-wah

Lee mentions that this particular audience segment was "one the ballet hasn't truly focused on significantly in the past."

Hong Kong seems to prioritize the younger generation, and it appears that the elder population might feel somewhat neglected, particularly within the realm of art,” she remarks. “Ballet often gets seen as something less relevant for seniors. However, one positive outcome from these efforts has been their revived enthusiasm.”

Kwok, whose previous work focused mainly on promoting dance education in schools, shifted her attention towards developing a program tailored for individuals new to ballet, particularly those who may lack the endurance and flexibility required for rigorous exercises. To create an appropriate syllabus featuring age-friendly ballet moves, she sought guidance from the Dance Medicine Research Clinic at Chinese University. However, for certain older participants, what draws them to ballet is precisely the challenge, effort, and complexity involved.

Despite not being able to execute the movements effectively, I put in considerable effort," states Chan, who participated in the first-ever workshop camp. "My bones and tendons are stiff, and I lack muscle mass, yet I persist. Although I tire easily, I remain content, so it’s all worthwhile.

The aim isn’t to be the top dancer; it’s more about maintaining health and enhancing physical well-being.

Coach Kwok emphasizes that "safety is our top priority. We stress to everyone that if a teacher recommends something and they feel unable to perform it, they shouldn’t attempt it at all. Getting hurt isn’t worthwhile. However, it’s wonderful to observe students who may lack coordination putting in significant effort, practicing diligently, stretching themselves both literally and figuratively, and giving dancing their best shot."

The initial in-studio performance of the Silver Ballet ensemble took place last March in the rehearsal hall of the theater. The Hong Kong Cultural Centre's Main Theater Over the course of three days, two distinct groups consisting mainly of novices participated in crafting costumes and mastering a series of dance moves. Swan Lake Following this, all 41 students participated in a demonstration for the invited families and friends.

"Staying occupied and energetic is beneficial, yet maintaining social connections is equally vital," asserts Kwok. "Ballet presents mental challenges as well; considering all the steps one must remember, precise placements on stage, and synchronization with music—it keeps the mind sharp. I believe this could aid in preventing conditions such as dementia. The ethos of our ballet company has always been: ‘always moving forward.’”

The Hong Kong Ballet is not the pioneering group to broaden its educational offerings to older adults. The United Kingdom’s Royal Academy of Dance conducts Silver Swans workshops. According to Kwok, “There are indeed adult ballet sessions available elsewhere and in various institutions locally; however, these typically cater to individuals who have had prior dance experience.”

Following the inaugural Silver Ballet camp, the program grew to incorporate a sequence of weekly sessions. It wasn’t limited to female participants either. Retired high school instructor Derek Chan, aged 64, felt no reservation about being the sole male participant since it satisfied his long-held interest.

He believes that ballet training ought to begin when one is young, as was the case with his daughter, which led him to think he had missed the optimal time to learn.

I'm grateful for the insights gained from the Hong Kong Ballet. It has instilled a sense of pride and confidence when performing in front of my child, friends, and fellow spectators.

A fervent student named Mimie Lau Siu-wah has emerged. Previously working as a real estate executive, she unexpectedly had ample free time after being advised to retire during the peak of the pandemic. Realizing she'd overlooked physical activity throughout her life, Lau resolved to improve her hunched stance. Currently, her dedication is such that she even postponed vacation trips just to make it to class.

"All of my muscles felt dormant until I reached 60 years old. Currently, I am 66," states Lau. "Initially, I began practicing Pilates. I figured, ‘Alright, now I have plenty of free time and feel quite bored.’ Given my nature, I require an activity to stay engaged. Upon seeing The Butterfly Lovers ballet Last year, I came across an advertisement in the program for Silver Ballet. Immediately, I knew I wanted to participate. I am someone who makes swift decisions. In about five minutes, I had completed everything. I simply reserved my spot online.

I could tell my posture wasn’t correct since I hunched over the computer whether sitting or standing. Additionally, I noticed my bones seemed to be fusing. Whenever I got a massage, they would say I felt as rigid as a piece of wood.

Similar to many of her fellow Silver troupe members, Lau didn't have the opportunity to dance during her youth. She explains, "My mother wouldn’t allow it, claiming it would make my shinbones very large. Nowadays, I understand this only occurs if one fails to engage their other muscle groups appropriately."

When the 41 students took the stage for their condensed performance, Swan Lake ," adds Kwok, "some relatives were absolutely wonderful." They arrived holding signs, much like devoted fans of pop stars. The entire family would join in, bringing along flowers as well.

A camper shed tears after the conclusion of the event. She mentioned, ‘I didn’t imagine being capable of accomplishing such a thing within merely three days.’ Her child continuously expressed gratitude, mentioning how delighted she looked. The girl shared with me, ‘My mom took my siblings and me for ballet lessons when we were young, and I never imagined we’d get to perform ballet together. Today we did exactly that.’

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Ukrainian Artist Fleeing Invasion Seeks Peace Through Art in Japan

OSAKA – One summer evening, an exquisite glow illuminated the sky, reminiscent of fireworks. Yet, these lights originated from a bomb rather than pyrotechnics. Three years prior to this event, Nina Butieva, a 44-year-old Ukrainian artist, escaped her home nation as Russian forces invaded, worrying about potential attacks targeting creatives. Currently residing in Japan, she has resumed painting.

Nina comes from eastern Ukraine. To safeguard her family members living in her home city, she chose not to reveal its name; however, she mentioned that before moving to Kiev, she had been an English instructor at a technical college. When Nina was approaching 30, she resolved to chase her long-held aspiration of being an artist. While employed at a factory, she self-taught various painting methods and around ten years back, founded an art studio in her birthplace. Thereafter, she started instructing locals in the craft of painting and showcased her creations in galleries across Europe, successfully embarking upon her career as an artist.

Artists as targets

When Russia launched its attack on Ukraine on February 24, 2022, things took a dramatic shift. Back then, Nina remained hopeful. “Although people were calling it an invasion, I wasn’t sure about Russia’s next move,” she recalled. It had never crossed her mind that this situation would escalate into full-blown warfare.

A few days afterward, armed Russian troops entered her city. Political figures were detained, and clergymen were arrested. During this period, Nina got a message from a woman she knew—a painter residing in Eastern Ukraine. "Flee," the woman implored her.

The Russian military was demolishing many works of art and historic structures within the nation. She knew that artists had often faced attacks in previous conflicts. "Artists could be next," she mused, prompting her to escape overseas with someone she knew.

Abandoning her sick mother back home

Nina worried deeply for her aging parents whom she had left back in her hometown. Her mother, nearing 80, was battling cancer yet urged Nina to depart without hesitation. “Don’t worry about me; just go,” her mom reassured her through tear-filled eyes. Embracing her sorrowfully, Nina carried a small sack filled with paint supplies and an extra outfit as she stepped onto a chilly evening bus ride during what should have been warm summertime weather.

As she gazed out through the bus window, she witnessed the devastated Ukrainian towns. Shells started raining down nearby, with explosions continuously reverberating all around. The darkness of the night lit up intermittently from the blasts. At any instant, it felt like their vehicle might also get struck. Those passengers who had managed to flee earlier were hiding in the shrubbery, weeping uncontrollably and shaking with fear. Realizing this could indeed mark her final moments, Nina composed herself enough to send one last message—a goodbye—to the person she had pledged to reunite with.

Early in the day, the bombardment ceased. Having departed three days prior, Nina set off from a western Ukrainian city and traveled with someone she knew. Following their stay in Slovakia, they reached Japan in September 2022 through connections they had.

A glimpse of home in Osaka

As they landed at Kansai International Airport, Nina strolled along the shoreline in Izumisano, Osaka Prefecture, her temporary residence. The crashing waves and ocean aroma brought back memories of home, as did the sight of a nearby seaside Ferris wheel.

Nina currently resides in an apartment complex in Osaka as she attends a Japanese language institute. She remarks, “Japan is a splendid nation where everyone is courteous and exceedingly friendly.”

She picked up her creative pursuits again, opting for the beach landscape that evoked memories of her home town as her theme.

Not long ago, she was invited to participate in an exchange exhibit in Osaka, showcasing pieces from 17 Ukrainian and Japanese artists. Alongside her artwork, contributions from 11 of her pupils and artist colleagues who remain in Ukraine will also be featured.

“Through artistic exchanges, my aim is to construct a pathway towards peace,” states Nina. “I am determined not to allow Ukraine’s culturally rich heritage, developed throughout its extensive history, to vanish.” She strongly holds the belief that art remains impervious to the ravages of war.

The exchange exhibition is being held through March 17 at Atoriemil (Nishiimagawa 4, Higashisumiyoshi Ward, Osaka). Admission is free.

(Originally written in Japanese by Mie Omokawa from the Osaka City News Department)